Godzilla (aka Gojira)

Godzilla is a daikaiju, a Japanese giant monster. His first film was Ishiro Honda's 1954 film Gojira, and since then, he has made many more appearances, and has become a pop-culture icon. In total, Godzilla has appeared in 28 films, all of which were produced by Toho Company Ltd. Godzilla has also appeared in numerous comic books, video games, and novels.

Godzilla is the main character of all of the Godzilla films, though there are numerous different versions of the monster. The silver screen is not the only place Godzilla has appeared; there have been literary sources that have expanded the universe of Godzilla. The Godzilla universe, and the character itself have also starred in comic books, manga, Japanese television and many cartoons.

The Showa-era Godzilla films were the first of the film series. In total, there are 15 Showa-era films, making them amount to over half the total Godzilla movies currently in existence.

The first film was simply titled Godzilla. In this movie, Godzilla was portrayed as a terrible and destructive monster. Following the success of Godzilla, Toho started filming a sequel. In this sequel film, a second Godzilla was set up to fight another giant monster, named Anguirus. This second film started a trend for Godzilla movies, where Godzilla would fight other giant monsters. In this film as well, Godzilla was portrayed as a villain. This portrayal would continue for two more movies. In his fifth movie, Ghidorah, the Three-Headed Monster, Godzilla took the role of a hero. From that point onto the end of the Showa series, Godzilla stayed a hero, protecting Japan against attacks from other monsters, aliens, etc. At one point, Godzilla even adopted a son, Minilla, in Son of Godzilla, who would make appearances in later Showa-era films.

The Showa-era movies played on a lot of fears and interests of people during the time period in which they were made. For instance, Godzilla was a movie designed to warn people about the use and testing of nuclear weapons. Likewise, Godzilla vs. Hedorah was designed to carry a message about the dangers of pollution. As space exploration and the Space Age were extremely popular in the late 1960s and early 1970s, many of Godzilla's movies revolved around Godzilla fighting alien monsters, or involved an alien invasion in some shape or form. For instance, in the movie Destroy All Monsters, an alien race had managed to take control of all of Earth's monsters, who were eventually freed from their control, and destroyed the aliens who had put them under control.

Godzilla made his American series debut in the 1978 Hanna-Barbera Saturday morning show Godzilla. In this series, Godzilla had a nephew, Godzooky. In addition to his trademark atomic breath, which simply changed to fire in the cartoon, he was given the power to shoot laser beams out of his eyes. Godzilla could be summoned by his human friends, sea-explorers on the ship USS Calico, with a signaling device or by the cry of Godzooky. The series ran until 1981.

Godzilla is one of the most recognizable symbols of Japanese popular culture worldwide and remains an important facet of Japanese films, embodying the kaiju subset of the tokusatsu genre. He has been considered a filmographic metaphor for the United States, as well as an allegory of nuclear weapons in general. The earlier Godzilla films, especially the original Godzilla, portrayed Godzilla as a frightening, nuclear monster. Godzilla represented the fears that many Japanese held about the nuclear attacks on Hiroshima and Nagasaki, and the possibility of recurrence.

As the series progressed, so did Godzilla, changing into a less destructive and more heroic character as the films became geared towards children. Since then, the character has fallen somewhere in the middle, sometimes portrayed as a protector of the Earth (notably Japan) from external threats and other times as a bringer of destruction.

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